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Adam Watts (musician)

Adam Watts (born Adam Matthew Watts; December 8, 1975) is an American music and visual artist. His work as a rock and pop artist, singer, songwriter, multi-instrumentalist, producer, mixing engineer and visual artist has garnered vital acclaim. His songwriting and productions are featured on over 50 million information offered worldwide in each the mainstream and contemporary Christian music industries. Watts owns a effective artwork gallery in Downtown Fullerton, CA (Internal Gallery & Oddities) which options his haunting and poignant mixed media assemblage fantastic art and pictures, in addition to his handmade leather-based items (beneath the brand name: AMW HUMAN DECOR).

1 Biography
2 Selected track discography
3 Adam Watts – solo artist three.1 Albums
Biography[edit]

Adam Watts was born in Laguna Seaside, California. He got here from a musical family. His grandmother was a Hawaiian style steel guitar participant and trainer, his mom performs accordion and piano, his father plays guitar and sings. His older brother plays guitar and his youthful sister is a multi-instrumentalist, singer, songwriter and producer. Adam started taking part in drums on the age of 10, impressed by the drummer in his brother’s band which rehearsed in the home. Watts is a devout Christian. His faith is clear in much of his work as a songwriter.

Watts studied drumming throughout his late childhood and teens finding out with numerous drum teachers together with Glenn Younger, John Hannan, Roy Burns, Evan Stone, Jim Wunderlich and Mike Jackson (within the Mission Viejo High school Drumline 1991-1994), Dave Weckl, Chad Wackerman, Joey Heredia. In 1993 he was the local winner of the Santa Ana Guitar Middle Drum-Offs. In 1994 he gained the Nationwide Will Calhoun Drum Solo Scholarship Contest Sponsored by Sonor Drums. In 1995, Watts attended Saddleback Community College the place he studied music and philosophy, opting to depart after just one yr to pursue a profession in music full-time.

Watts was the drummer of local Orange County band Bulkhead (together with OC Supertones bassist Tony Terusa) from 1994-1997. In 1996 Adam contributed drum tracks to Gannin Arnold’s pop/rock indie solo launch entitled “One”. He performed his drums in numerous funk and top forty cover bands in the Orange County/L.A. club scene including The Strangers, Stone Jonez and Soul Shaker. It was round this time that he began writing songs, singing and producing/engineering/mixing his personal music. He additionally began to play reside (singing and playing guitar) with numerous backing musicians and band members together with Gannin Arnold, Melvin Davis, Adam Marcello, Drew Hester, Andy Dodd, Invoice Mohler, Nate Wooden, Luke Agajanian and Derek Frank.

In 2000 he contributed drums to bassist Melvin Davis’s jazz/fusion solo album Tomorrow’s Yesterday and percussion to Pax217’s album TwoSeventeen. In 2001 Adam and his sister Jenn Watts wrote the theme tune for the movie Pootie Tang (Directed and written by comic Louis C.Okay.). This kick-started his profession as a full-time songwriter and producer. This 12 months also saw the delivery of his production firm, Pink Decibel, with Andy Dodd. Watts and Dodd produced Christian pop/rock artist Jeremy Camp’s 6-track indie EP which led to Jeremy’s signing with BEC Recordings. Watts and Dodd produced and recorded the majority of Jeremy Camp’s first two albums Stay and Carried Me in a three-month span in Watt’s childhood residence in Mission Viejo, CA in late 2001. Stay and Carried Me had been each ultimately RIAA Certified Gold. Watts and Dodd continued working with Camp all through his profession on his albums Restored, Beyond Measure and Dwell Unplugged. Watts and Dodd also produced various other contemporary Christian albums for ‘Jadon Lavik’ and ‘The OC Supertones and Maranatha Music.

In 2003, Watts and Dodd were linked to pop artist Jesse McCartney via the impartial A&R company TAXI. They wrote the songs Take Your Candy TIme and Stunning Soul for McCartney which led to his signing with Disney’s Hollywood Records. Lovely Soul became the title monitor and first single on Jesse’s first Hollywood Records launch. It went on to grow to be a worldwide smash hit reaching number 5 on the Billboard Pop 100 Charts, number 15 on the Billboard Sizzling a hundred, number 5 on Pop 100 Airplay and number 23 on the Adult Contemporary Charts. The “Stunning Soul” video spent the maximum period of time (50 days) on MTV’s Total Request Live prime 10 movies present. The album Stunning Soul went Platinum in 2004. The music appeared on numerous compilations and soundtracks together with the That’s So Raven Soundtrack, A Cinderella Story Soundtrack and children Bop 7.

Watts signed a publishing deal with Walt Disney Music Publishing in 2004 and went on the write and/or produce (with Andy Dodd) on Aly and AJ’s album Into The Rush, High school Musical 1, 2 and three, Hannah Montana seasons 1, 2, 3 and 4, Soar In Soundtrack, Go Figure Soundtrack, Everlife’s Walt Disney Records self-titled launch and Ingram Hill, The Chronicles of Narnia: Prince Caspian end titles song “That is Home”, co written with Switchfoot, Kelly Clarkson’s “Can We Go back”, Camp Rock 1 & 2 and The Jonas Brothers among others.

To date, Watts and Dodd’s songs and productions have appeared on over 50 million albums sold worldwide.

In partnership with filmmaker Daniel Chesnut, the two started to focus on movie tasks including music movies and have movies.

In 2011, Purple Decibel added songwriter, producer, guitarist Gannin Arnold to their staff. In addition to writing and recording new artist Joel Piper, they are at present working with new Hollywood Data signing, all lady rock group Cherri Bomb on their debut album.

2012 to current: Watts/Dodd/Arnold contributed as songwriters, producers, mixers and mastering engineers to American Idol finalist, Colton Dixon’s finest promoting debut album “A Messenger” which yielded two #1 hits and music a Dove Award for Finest Contemporary Christian Rock Album of the 12 months. The workforce is reported to have been collaborating extensively with American Idol finalist Angie Miller. Throughout this time, Crimson DECIBEL have additionally contributed songs to quite a lot of initiatives within Walt Disney including, Austin & Ally (the track “Parachute”), the theme song to a new dwell show at Disneyland in Anaheim and the opening/titles titles music for an upcoming animated function entitled Tinkerbell Pirate Fairy. The tune options world-famend solo artist Natasha Beddingfield on vocals.

Most just lately Crimson DECIBEL contributed 4 productions (which Watts combined) to Colton Dixon’s sophomore album “Anchor” which debuted at #1 on the iTunes Christian & Gospel Album Chart. The group additionally cowrote the songs “Loud and Clear” and “This Is not The tip” as properly as the bonus track “The place I Finish”. Watts additionally played drums on the track “Our time Is Now”.

While Crimson DECIBEL still exists as Watts/Dodd/Arnold, in 2014 Watts/Arnold formed a separate songwriting, manufacturing, mixing/mastering and artist improvement entity known as Damaged Metropolis. The pair are specializing in the event and launch of two new solo artists, iRussi and Sanni as well as various other indie and major label projects within the mainstream and CCM markets.

July 2014 saw the release of the Watts/Arnold band undertaking MOON KILLER. Their debut album, “Fairly Stupid” is a set of intense different/rock songs which add a modern twist to influences equivalent to Led Zeppelin, Black Sabbath and Soundgarden. The lineup consists of just Watts (Drums, Percussion, Synths and Vocals) and Arnold (Guitars, Bass, Synths). The pair co-produced and Watts combined the album.

Visual ARTS:
In late 2012 Watts started to extra seriously delve into visual arts. A long time curiosity in photography and graphic design expanded into leather-based handcrafting and the high quality arts. AMW HUMAN DECOR is the model identify surrounding his leather-based works which embody bracelets, bags and wallets with distinctive designs which regularly incorporate bison leather-based, early twentieth century World Struggle I and World War II rifle sling leather-based and antique hardware together with vintage camera and clock components.

Watts’ combined media assemblage high-quality artwork incorporates objects from the Victorian period through the early twentieth century. His highly conceptual work usually contains found objects, early medical instruments, primitive wooden mechanical objects reminiscent of gears and pulleys as well as taxidermy and skeletal elements including animal skulls, feathers etc. His work has been proven at Artology, The Paul Williams Gallery, Bunker 1970, finn the human t shirt online The Egan (throughout the Magoski Art Colony), Artservatory as well as his own permanent gallery and retail space Internal Gallery & Oddities situated in Downtown Fullerton, CA. Watts has an upcoming exhibition at the center Gallery in Anaheim.

Most just lately Watts had a number of works chosen to be included within the Brea Art Gallery’s twenty ninth Annual Juried Exhibit “MADE IN CALIFORNIA” as well as within the OCCCA’s present entitled “THE Physique EXHIBIT” with works chosen by world famend assemblage artist George Herms. Also see www.AdamWattsArt.com

Chosen song discography[edit]
– “Never Gone” – Colton Dixon (from the album A Messenger)
– “Universe Electric” – Angie Miller (from the EP Weathered)
– “Means Out” – Adam Watts (from the album Method Out)
– “Shake The bottom” – Cherri Bomb
– “That is Home” – Switchfoot (For the soundtrack to The Chronicles of Narnia: Prince Caspian)
– “Can We Go back” – Kelly Clarkson
– “Let It Fade” – Jeremy Camp
– “Reckless” – Adam Watts (from the album Homicide Yesterday)
– “Life On Earth” – Adam Watts (from the album Life On Earth)
– “Poison Soul” – Adam Watts (from the album FALLBORN)
– “The Glow” – Shannon Saunders
– “Carried finn the human t shirt online Me” – Jeremy Camp
– “How Does It Feel” – Adam Watts (from the album The Noise Inside)
– “Critical Condition” – Adam Watts (from the album The Noise Inside)
– “Beautiful Soul” – Jesse McCartney
– “Simply So You recognize” – Jesse McCartney
– “Proper The place You Need Me” – Jesse McCartney
– “Gotta Go My own Approach” – High school Musical 2
– “Just Like you” – Hannah Montana – Season 1
– “Make Some Noise” – Hannah Montana – Season 2
– “I Gotta Find You” – Joe Jonas – Camp Rock
– “This is Me” – Demi Lovato and Joe Jonas – Camp Rock
– “This is Our Song” – Demi Lovato, Joe Jonas, Nick Jonas and Alyson Stoner – Camp Rock 2: The ultimate Jam
– “It isn’t Too Late” – Demi Lovato – Camp Rock 2: The ultimate Jam
– “Reside the Magic” – Disneyland Perpetually an Immersive Firework Spectacular[1]

Adam Watts – solo artist[edit]
In 2002 Watts contributed as a solo artist to tasks comparable to, Songs For A Purpose Pushed Life (based mostly on Rick Warren’s finest promoting e-book The aim Driven Life), and The Left Behind 2 Soundtrack. 2003 Watts signed to BEC Recordings and launched his critically acclaimed first album The Noise Inside. He was named certainly one of Christianity Today’s Finest New Artists in 2004. In 2005 Watts amicably left BEC Recordings to pursue an indie profession. In 2006 Watts independently launched his album “Sleeping Hearth”. Christianity As we speak gave it a rare 5 star assessment and named it probably the greatest Albums of 2007.

After the breakup of his alt/rock undertaking, FALLBORN in early 2010, Watts went to work on his third solo effort entitled “Homicide Yesterday”. The album launched worldwide digitally, on September 21, 2010.

“Murder Yesterday” marks a return to Watts’ singer-songwriter roots. While prior to now Watts’ used piano only intermittently, this album’s material relies heavily on the instrument, in addition to a more spacious, organic production fashion. The intensive collaboration with the Los Angeles-based mostly strings group, The Section Quartet (Foo Fighters, Snow Patrol, Ryan Adams) served to further distinguish “Murder Yesterday” from previous works.

Watt’s toured by means of New York, Chicago, L.A. and Seattle as part of finest-promoting writer Cornelia Funke’s “Get Reckless Tour”. Watts performed the tune “Reckless” which was impressed by Funke’s ebook of the identical title.

2013, ALBUM: “LIFE ON EARTH”:
Watts released his solo album entitle “LIFE ON EARTH”. In a blog post from Facebook on June 5, 2012, he described the album’s sound stating, I did not got down to make an album. I just all of a sudden realized I had 7 or 8 songs that felt like they fit together. The songs and manufacturing feels more direct and maybe more raw in some ways than stuff I’ve finished in past. Maybe it was out of necessity. I had been engaged on these artist development tasks, a bunch of Disney stuff, and in addition making the Cherri Bomb album, and in between I’d do one in all my songs, simply to get it out. Then I’d go back to work on those different tasks. So what would occur is I would fully forget I had written and recorded something! Total amnesia. Then I’d see a title on my hard drive and go “huh What’s that !”. I’ve realized how much of inventive life has been hidden. It’s the nature of the business aspect perhaps… or perhaps it is the nature of me: I create a lot greater than I’ve time to “put out”. And that i edit the output. Maybe I over think it. I battle towards an introverted nature: I prefer to simultaneously put myself on the market and fly beneath the radar. It is mindless! However, also, I’m all the time transferring forward and sharing means trying back to a point.. however I end up regretting not doing it… So many songs have not been heard. I’m always battling against the urge to leap on the form of modern-day expression-drama-phrase-vomit-put-it-all-out-there thing… I battle it, then I notice how pent up and blocked I really feel when I do not share. When I’m not ready to connect via all these things I am making/expressing. So I guess I am in a spot the place I’m not gonna hold again anymore. I want to knock down each preconceived notion about what it is for me to be an artist. What it means to try this in a free method. Forget style. Forget compartmentalizing it. I just wish to create and connect. that’s what I like. That’s what I get up each day and spend all day doing: creating and making an attempt to connect. BAM! And that i’ve by no means been so grateful or more filled with vitality. And it isn’t simply with my music, I am bringing everything together and sharing it. Photography, film, apparel design, prose, whatever… anything and the whole lot that is an inventive expression goes to be up on my website. I’m really enthusiastic about it. Really. And that i haven’t any expectations. Properly, no less than as few as I can muster:) I feel rejuvenated. It has been really freeing.”.

2014, ALBUM: “Method OUT”:
On April 7, 2014 Watts released his sixth studio album which reportedly marks a bit of a departure from the extra straightforward songwriting of earlier releases. The album is claimed to lean extra heavily on influences together with Philip Glass and Thomas Newman whereas nonetheless incorporating his singer-songwriter and rock roots. As Watts states, “This method to music has been growing in me for awhile. You may hear parts of it popping up on previous albums and particularly finn the human t shirt online on a number of tracks from “Life on Earth”. I used to be profoundly effected by one thing Philip Glass stated in his documentary (“GLASS”). I’m paraphrasing here, but he spoke about how poetry is about talking, dance about movement and music about listening… and that he does’t suppose about music, he listens to it and writes it down. This sparked one thing in me. It immediately felt true… that there was this present of music in me that I’m not all the time listening to in as pure a manner as I could. So I sat down at the piano and started to just listen to what was there. Attempting to avoid playing an instrument, I didn’t want any habits to guide me, I simply listened till there was music coming from inside of me and beyond technique. And somewhat than choose it or its validity, I trusted it and let myself go. I would compose the music this way as well as approach the lyrics equally. What shocked me was the results have been very new, yet felt truthful, or pure in a means I could not put my finger on… I suppose it was simply that it felt honest and it was sort of a provided that I appreciated what I heard. I was stopping myself from getting into a headspace the place I had a self-picture related to the music… it was extra about expression. My approach to recording the album was an extension of this as properly. I would write and record all in the identical time-frame. This is not new for me, however my mindset was totally different, I was going for a moment and not letting the producer aspect of me take over an excessive amount of. Reasonably than seek perfection in a technical sense, the brand new perfection became the reality of the moment extra so. It is really remodeled the way in which I method my solo work. I noticed that this method was closer to how I approached my visible arts as nicely… so there’s this sense of all of it coming collectively and coming from the identical place… it just so happens that typically I’m creating for the ears and generally for the eyes, but it is all unified. This current music and art feels as close to my core as something I’ve carried out previously… after i pay attention or look, there’s this mirror like effect… like it is reflecting what it is prefer to be inside my pores and skin. It’s funny because with this type of process, I don’t discover myself pondering a lot about whether or not individuals prefer it or not… I hope they do, however I notice individuals will either get it or they will not and it has nothing to do with me. It’s liberating.”

2016, ALBUM: “The Hero and the Ache”:
On March thirteen, 2016 Watts released his seventh studio album “The Hero and the Pain”. This album options the song “World Struggle Three” which features Watts’ first vocal duet, with feminine singer-songwriter, iRussi. A overview from consumer lisaxspice on iTunes reads:

“Adam Watts: Hero and the Pain Review—beautifully and fearfully made. Southern California native Adam Watts’ most latest album The Hero and the Ache underlines the matchless power of a singer/songwriter daring to face exterior traits and convention to create a major, transcendent, and sacred experience for audiences. This album rapidly jumped to a place in my top 10 greatest albums of the last ten years.

The album is an intimate, spiritual sojourn of questions and answers. What begins with the unhealed wounds of “The Hero and the Pain “is answered by “More’s” unrushed tempo, which echoes Watts’ calls for for more from life than the steady gait of mediocrity. The album is a welcome reprieve from occasion anthems and vapid, pop music choices.

Watts punctuates his pained recollections of emotional and spiritual turbulence of the opening observe “The Hero and the Pain” with his yearning, melancholic vocals, and orchestral strings juxtaposed with the pounding, surging percussion in “A Wave Does What a Wave Does.”

The album proceeds to the forlorn cry for connection-the primal prayer, and serrated screams of “Motherfather,” which may be probably the most heartrending and passionate tune of the album.

“Running Out of Heroes” shows us Watts is poised to take his place within the singer/songwriter world in this intricate, lyrically gorgeous vocal efficiency. The conspiratorial and poignant performance is punctuated with plucked strings and arrives layered with stunning, subtle detailing. Right here Watts reminds us why music is important-it teaches us about ourselves, our relationships, and our place in the world—a place of ache, disappointment, redemption, belief, yearning and joy.

Thankfully, he doesn’t let the listener rest because the musical shards and percussive darts of the track “Cage” assault. That is the place Watts reveals the depth and breadth of his musicality as this multiple instrumentalist races and rages to contain the animal inside, and leaves listeners gasping. Breathtaking!

Though we haven’t heard a duet from Adam Watts before, “World Struggle Three” musically delivers an open-hearted release with the scrumptious contrast of a breakup that begins civilly but escalates to smash within the delicate and destructive duet (with Damaged Metropolis Artist iRussi).

“Somebody Somewhere” stays true to his unabashed, poignant revelations and delivers an emotional punch because it reminds listeners the ache of unrequited love on this tender, intimate guitar monitor that rings true.

Armed with only a piano, his unrushed tempo of “Let You Win” requires the listener to lean in and scoot your chair nearer with a purpose to absorb this heart-rending critique about self-sabotaged relationships whereas revealing Watts energy is in his fragile vulnerability.

Within the album, Watts interlaces fragile feeling with delicate guitar melodies with turbulent and driving percussive tracks however it’s his yearning, melancholic vocals and unflinching self-examination that allow the listener the uncommon alternative to witness each a lacerating self-analysis and harrowing journey of introspection. It is pure alchemy.

Musically, he deserves to be as in style commercially as artists akin to Rufus Wainwright and Damien Rice as he bridges the gap between the soul of a musician and the center of the listener. The album reminds listeners that we aren’t alone as we search and pray for our personal private redemption from suffering and ache.

Watts flawlessly staggers above spiritual damage and carries the listener to an emotional summit in order that we additionally settle for the inescapable verity of life’s undivided, yet exquisite couplet of ache and joy. A heroic triumph.”

Albums[edit]
Fallborn (2008-2010)[edit]

In late 2008, Watts, along with musicians Jules, Nic and Matt Rodriguez (all brothers), FALLBORN was formed. FALLBORN’s debut single “Poison Soul” launched on iTunes in 2009 and has received radio play on mainstream alt/rock radio, debuting on LA’s 106.7 KROQ Locals Only present and Tucson, AZ’s KFMA 92.1, amongst others. The band worked throughout 2009 recording their debut album which was mixed by Grammy winning producer/engineer Jack Joseph Puig (John Mayer, U2). Apart from a 5-track promotional EP, the album never noticed the light of day. In early 2010, as a result of artistic differences, FALLBORN disbanded.

^ “”Disneyland Endlessly” Fireworks Fun Details”. Disneyland Information. Archived from the unique on 2015-09-05. Retrieved 2015-10-27.

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