Graphic Designer Responsible For many Celebrated Album Covers
The art director of the Monterey Worldwide Pop Music Festival princess leia knit hat in June 1967, for which he created a putting, unusual psychedelic poster printed on foil inventory, Wilkes carried out an identical position at A his Monterey Pop poster won an award for essentially the most creative use of foil from princess leia knit hat the aluminum manufacturer Reynolds.
“He caught the spirit of the time,” Adler stated. “You can see loads of the posters from that interval and say, ‘Oh, that’s the Sixties’. With Tom, it isn’t dated. There’s a really special look to it.”
Monterey Pop proved a landmark event in princess leia knit hat the Summer time of Love and put Wilkes on the map. In 1968, he designed the original cowl for Beggars Banquet by the Rolling Stones. The band loved his idea of a graffiti-coated lavatory however it proved so offensive to Decca within the UK and London in the US that the businesses refused to situation the album. The Stones dug their heels in however eventually relented and used an alternate “white R.S.V.P. invite” design (Wilkes’ toilet made its belated appearance on the CD version in 1984).
Wilkes was no stranger to controversy. In 1968, he daubed Ike and Tina Turner in Pierrot make-up and had them eating a slice of watermelon on the front and again of the Outta Season album. But he had a knack for capturing the essence of the music and the artists who made it, as with the cover of Harvest, whose texture, pale yellow color and old school lettering are evocative of the golden age of America Neil Young was harking back to.
Among the many memorable album covers Wilkes created within the late sixties, Secure As Milk, the debut by Captain Beefheart and the Magic Band, Spirit, The Family That Performs Together and Clear by Spirit and Accept No Substitute by Delaney married and divorced thrice (one daughter from first marriage); died Pioneertown, California 28 June 2009.