At the movies this year, tales underlined the difficulties of carving out freedom in the face of patriarchal fashions. In oonlight, a latchkey child (performed in various phases by Alex R. Hibbert, Ashton Sanders and Trevante Rhodes) came of age by safeguarding his queerness with the armor of performative masculinity. In 0th Century Ladies, a single mom (Annette Bening) in 1979 California tried to lift her teenage son (Lucas Jade Zumann) to be a ood man, proclaiming, don know how you try this these days. (Good question.) In oving and idden Figures, black girls rose above the white men holding ostensible energy. They change into stronger superheroes than the title characters within the impossibly grim atman v Superman: Dawn of Justice. Within the documentary 凡einer, Huma Abedin a political savant with Hillary Clinton loyalties stood at her husband side whereas his sexual misconduct embarrassed her (once more) in entrance of the world. Five months after its launch, ladies statistically refused to simply accept that Trump had embarrassed his personal wife with boasts of harassment. All of those movies subtext spotlighted cultural constructs vicious cycles.